Performers' Rights (4th ed.)

The evolution of performers' rights in the UK
The rationale for protecting performers
Copyright and neighbouring (related) rights
Historical review
Subsistence and duration
Subsistence of performers' rights
Subsistence of recording rights
Duration of performers' rights and recording rights
Ownership, licensing, equitable remuneration and the copyright tribunal
First ownership
Transmission of performers' rights
Transmission of recording rights
Joint ownership
Licences
Compulsory licensing
Rights to equitable remuneration
Collective licensing and the Copyright Tribunal
Infringement
Infringement of performers' rights
Infringement of recording rights
Knowledge or reason for belief
Territoriality
Permitted acts and defences
Permitted acts
Defences
Proceedings
Who may sue?
Who may be sued?
Venue
Remedies
Interim relief
Moral rights
Right to be identified as performer
Right to object to derogatory treatment
Duration of moral rights
Consent and waiver
Transmission of rights
Proceedings for infringement
Remedies for infringement
Criminal law
Principal offences
Additional offences
Inchoate offences
Mens rea
Defences
Enforcement
Search warrants
Penalties
Performers' contracts
Assignments of performers' property rights
Licences of performers' rights (consents)
Enforcement of performers' contracts
Other forms of protection for performers
Copyright: performers as authors
Basic requirements
Copyright in sound recordings and films
Copyright in sets, costumes and props
Passing off
Breach of confidence, invasion of privacy and the right to control the use of one's image
Defamation
Performers' rights in other countries
Summary of performers' rights under the Rome Convention
Summary of performers' rights under TRIPs
Summary of performers' rights under the WIPO Performances and Phonograms Treaty
Table of countries
Particular countries